#branch line society

[mistrustmusic]

Buy a CD to help save an old train!!!!

[akkivee]

THE ENERGY AND CHAOS IN KUUKOUS MOVEMENT

THE CALMNESS AND MEASURE IN GHOST KUUKOUS MOVEMENT

[arolesbianism]

Ok no one asked but I've been tempted to make Jackie and Olivia stalien designs since I've been working on some new icons for the eternal gales stalien kiddos and it's been making me also think abt how disastrous it would be if they were in the same stalien society that the main cast are from because dear god would they either die instantly or make things so much worse. Even if they did get lucky enough to be able to be remotely near a position to found a stalien version of gravitas, no way in hell they'd be able to get far enough to even begin their own morally corrupt downfall before one of the other big companies forcibly assimilated gravitas into their own corporations and do the same shit but way WAY worse. Even if Jackie Was in a position to eventually climb the ladder enough to get to a more ceo position shed probably end up painting a target on her back way before she could get there, as her and Olivia's whole infinite power research would be very much unwanted by most of the ceo elders. Oh and Olivia would be fucked even beyond that because she's a biologist lol so at best she's going to be forced to drop every last one of her morals and barely scrape by

[liesmyth]

With the Palleamene and Aiglemene thing. One of my friends and I theory is that both Harrows parents were gay and thats why necromantic implantation wasnt working. They, like Harrow, were too proud and paranoid to ask other houses for help and artificial wombs

They couldn't even handle missionary through a sheet because they REALLy didn't want to fuck!

jk I think the real issue was Pelleamena's inability to conceive because it's already hard for a necromancer, even harder for the children of two necromancers, which makes me wonder why the one who was a direct descendant of Anastasia between Pelleamena and Primhark didn't just... attempt at least to have a kid out of wedlock with someone else, if the only goal is to maintain the line.

I also really think it wouldn't have been an issue anywhere else but the Ninth. They're the only one of the Houses concerned with direct descent (I think the Seventh may come close but not to that level) AND Harrow's incredibly paranoid attitude about asking for help from the other Houses / the Cohort clearly must have come from somewhere. It's just how the Ninth do things. The Eight most likely have vat wombs (because the way they supposedly "breed" multiple potential cavaliers IMO points to that) and so do the Third, who are the Ninth's closest neighbours. I bet the Rev Parents considered genocide a better option than reaching out.

[anam-mana]

It fascinates me that Alistair gets lumped in with the “Chantry Boys” in discussions about Dragon Age Archetypes because it’s just. Very untrue. But it’s an idea the text actually pushes you to connect with in a way I think is purposeful.

This guy introduces us to the lore of the Blight by asking if we want “the chantry version or the truth.” If we ask if they’re not the same thing he smirks and says with some attitude “they rarely are.”

He sums up his religious beliefs saying he’s “not especially” Andrastian, and that “believes in the Maker well enough.”

He’s actually LESS religious than Zevran, who describes himself as fully Andrastian with a regular prayer routine in optional conversation branches.

The things that people use to categorize Alistair’s supposed “Chantry Boy” boy status all have non-religious motivations.

For example, the big one, his virginity, is because 1. He’s nervous around women, which is the gender he finds most attractive 2. He’s actually the youngest Party Member, being freshly 20 years old. 3. And most importantly, he correlates sex with love and was brought up to see them as requiring the other and so feels uncomfortable having sex without what he sees as “true love.” And he just hasn’t been in love yet.

Another example would be his reaction to the Urn of Sacred Ashes. He reacts with wonder akin to Leliana where many others react with a contrasting blasee attitude. Even the Andrastian Zevran.

But you gotta read between the lines here. Zevran doesn’t hold remains as sacred. He’s an assassin. So his prophet’s body is in that urn. It’s a body. The least remarkable and most mundane, perhaps even the hardest to swallow, thing she could ever be to Zevran is a corpse. Kinda takes the wonder out of faith for an assassin if she dies and rests just like any one else.

But Alistair is fascinated, in awe. 1, probably because the Chantry he doubts so much now has some kinda proof that something they said was true, unlike what he previously believed. 2, Alistair is WAY more patriotic than he is religious and we gotta remember that the Fereldans pride themselves on Alamari heritage, and Andraste was probably the most powerful and influential Alamari person to ever live. 3, he’s actually a giant history buff. He info dumps history on you often, with the memorized readings of whatever question you ask. If asked about the King and Loghain before the betrayal at Ostagar, he shows respect for Loghain’s service in the War for Independance, and knowledge of his tactics. And when speaking about his time in training with the chantry as a child, he says the education was actually what he liked most. And a lot of his gifts are things like replica soldiers, Fereldan historical things, maps, (along with his interest in magical artifacts but that’s for another day.) etc. Given his patriotism and love of learning history, yeah, the Urn is a big deal to him.

I have more things I could say, but really, I just find Alistair to be one of the most misrepresented by fandom characters. His character has a TON of subtext that challenges you to look beyond what others represent him as and the low opinion he holds of himself.

The perception of him as Andrastian and devout is one pushed on him by people like Morrigan (and others to some degree) who fights Alistair more like a straw man representing society than she engages with him as himself. She sees him as a Templar even though he left the order specifically because they abused him And he fundamentally disagreed with their practices, The Harrowing specifically being what pushed him to fight to leave.

There are, textually, two ways to interpret Alistair. Through face value aesthetics and symbolism pointing to association with the Chantry and by observing other’s opinion of him. Or through actually listening to what he says and watching what he does.

And it’s just interesting to me that a lot of people get caught in the trap of what he represents aesthetically rather than who he is.

[robertreich]

Project 2025: The MAGA Plan to Take Your Freedom 

A second Trump term would be more dangerous than the first — in part because of something called Project 2025, a plan to extend Trump’s grip into every part of your life.

Trump’s gross incompetence in his first term wasn’t all bad. It kept some of his most extreme goals out of reach. That’s why his inner circle, including more than 20 officials from his first term, have written a step-by-step playbook to make a second term brutally efficient.

At nearly a thousand pages, it’s longer than most Stephen King novels, and a lot scarier. The Associated Press wasn’t kidding when they called it “a plan to dismantle the US government and replace it with Trump’s vision,”

Project 2025 is a road map to ban abortion, give greedy corporate oligarchs everything they want, and strip Americans of our most basic freedoms — all without needing any support from Congress.

There’s more to it than I can get into, but here are three things I want you to know.

#1 How would Project 2025 work?

Every nonpartisan government agency would be turned into an arm of the MAGA agenda.

Some of the worst things Trump reportedly tried to do as president — like having the military  shoot protesters or seize voting machines to overturn the election  — were only stopped because sensible leaders in the military or the professional civil service refused to go along with it.

In a second term, there would be no sensible leaders in the military or professional civil service because Trump would fire anyone more loyal to the Constitution than to him.

Trump started the process in October 2020 with an executive order that would have let him fire tens of thousands of civil servants and replace them with MAGA henchmen. I’m talking about traditionally non-political positions, like scientists at scientific agencies and accountants at the IRS.

Trump could not act on the executive order then because he lost the election. If he wins now, he’s pledged to pick up where he left off and go further…

TRUMP: …making every executive branch employee fireable by the President of the United States.

#2 Project 2025 is about controlling Americans’ lives & bodies

Restricting abortion is such a big part of Project 2025 that the word “abortion” appears 198 times in the plan.

Trump largely made good on his campaign promise to ban abortion.

Thanks to Trump’s Supreme Court justices, 1 in 3 American women of childbearing age live in states with abortion bans. Project 2025 would make that even worse, without needing new laws from Congress.

Page 458 of the playbook calls for a MAGA-controlled FDA to reject medical science and reverse approval of the medications used in 63% of all abortions, effectively banning them.

Page 455 plans “abortion surveillance” and the creation of a registry that could put people who cross state lines to get an abortion at risk of prosecution.

Another way around Congress is to enforce arcane laws that are still technically on the books. Page 562 plans for a MAGA-controlled Justice Department to enforce the Comstock Act of 1873, which bans the mailing of “anything designed, adapted, or intended for producing abortion.” This could be used to block the shipment of any medications or medical instruments needed for abortions.

But Project 2025’s control of American families goes even further. It plans for government agencies to define life as beginning at conception — a position at odds with the process used for in vitro fertilization.

Page 451 declares that “Families comprised of a married mother, father, and their children are the foundation of a well-ordered nation and healthy society,” thereby stigmatizing single parents, same-sex couples, unmarried coparents, and childless couples.

Project 2025 even takes a stand against adoption, declaring on p. 489 that “all children have a right to be raised by the men and women who conceived them.”

#3 Project 2025 would turn America into a police state.

Maybe you live in a blue city or state, where you think plans like arresting teachers and librarians over banned books (which is on p. 5) could never happen. Well, guess again.

Trump has said one of the big things he’d do differently in a second term is override mayors and governors to take over local law enforcement.

Page 553 lays out how to do this, and even plans for Trump’s Justice Department to prosecute district attorneys he disagrees with.

Immigration enforcement is to be conducted like a war, with the military deployed within the U.S., and millions of undocumented immigrants rounded up and placed into newly constructed holding camps. This is outlined starting on p. 139.

Members of the Project 2025 team also reportedly told the Washington Post about plans to invoke the Insurrection Act to deploy the military against anti-Trump protests.

There is much more to Project 2025. There are more than a hundred pages of anti-environmental policies that would help Trump make good on what he reportedly promised to do for oil executives if they contribute a billion dollars to his reelection. It would make drilling and mining a top national priority while killing clean energy projects, barring the EPA from regulating carbon emissions, and replacing all government climate scientists with climate deniers.

There are even cartoonishly cruel plans like slaughtering wild horses. Yes, that’s really in there on p. 528.

I thought I understood the stakes of this election, but reading this plan… Well, it gave me chills. If Trump gets the chance to put this plan into place, he will. The country it would turn America into would be hard for any of us to recognize.

[jadeshifting]

— THINGS I’M LOOKING FORWARD TO. ( IN MY WALKING DEAD DR, a VERY condensed list )

　　.   　　˚　　 　　*　　 　　✦　　　.　　.　　　✦　˚ 　　　　 ˚　.˚　　　　✦　　　.　　. 　 ˚　.　　　　 　　 　　　　

ib @ dreamyshifts, and also that anon who asked me to post about my twd dr more (i have stuff lined up just for you mwah)

⋆˙⟡ every building and tall structure and house is suddenly abandoned and begging to be explored. the creepy depths of creaking boards and overgrown vines reclaiming the windows and the very foundations. personally, it never stops being fun for me to explore all these brand-new-old places

⋆˙⟡ the braided hair, being a little covered in dirt, lucky to have even a touch of chapstick. it’s hot and exhilarating to find little ways to hold onto femininity and self-identity in a filthy world

⋆˙⟡ nature, without anyone to damage it. the light pollution is long gone, you can see every single star twinkling above your head at night. the trees are unfettered, twisting branches are easy to climb. the fields of grass and weeds and wildflowers are completely unchecked—beautiful

⋆˙⟡ gratitude in the small things. after the world ends, every last sunset, bubbling stream, and bird chirping and whistling overhead is like liquid gold. it opens your eyes—realizing that you took every last thing for granted when society was still standing, but not anymore! now it’s laughable how little it takes to make me gleefully happy

⋆˙⟡ forced minimalism. sure, everybody only has maybe one backpack of belongings because they have to, but still. i’m happy to be freed of countless material possessions, to be mindful of the things i choose to hold onto ( a gun, a pack of cherry tic-tacs. it’s all the same )

⋆˙⟡ the kinds of hopes and dreams we discuss around a campfire. passing around a jar of some disgusting redneck alcohol and humming about ideas of farms, of growing gardens and starting the closest thing to a family. it fuels people in a way that didn’t happen before

[alphynix]

Ninoziphius platyrostris was an early beaked whale that lived during the late Miocene (~6 million years ago) in warm coastal waters covering what is now southwestern Peru. Its ancestors appear to have branched off from all other beaked whales very early in the group's history, indicating a "ghost lineage" going back to at least 17 million years ago.

About 4.4m long (~14'5"), it was less specialized for suction feeding and deep diving than modern beaked whales. Also unlike most modern species its jaws were lined with numerous interlocking teeth, with heavy wear suggesting it may have hunted close to the seafloor, where disturbed sand and grit would have regularly ended up in its mouth along with its prey and steadily ground down its teeth during its lifetime.

Males had a pair of stout tusks at the tip of their upward-curving lower jaw, with possibly a second smaller set of tusks behind them, which were probably used for fighting each other like in modern beaked whales.

Its shallow water habitat and more abrasive diet suggest Ninoziphius' lifestyle was much more like modern dolphins than modern beaked whales, and other early beaked whales like Messapicetus similarly seem to have occupied dolphin-like ecological niches.

These dolphin-like forms disappeared around the same time that true dolphins began to diversify, possibly struggling to compete for the same food sources, while other beaked whales that had begun to specialize for deep sea diving survived and thrived. Interestingly this ecological shift seems to have happened twice, in two separate beaked whale lineages – although only one of them still survives today – with bizarre bony "internal antlers" even independently evolving in both groups.

———

NixIllustration.com | Tumblr | Patreon

References:

Bianucci, Giovanni, et al. "New beaked whales from the late Miocene of Peru and evidence for convergent evolution in stem and crown Ziphiidae (Cetacea, Odontoceti)." PeerJ 4 (2016): e2479. https://doi.org/10.7717/peerj.2479

Bianucci, Giovanni, et al. A new Late Miocene beaked whale (Cetacea, Odontoceti) from the Pisco Formation, and a revised age for the fossil Ziphiidae of Peru. Bollettino della Societa Paleontologica Italiana 63.1 (2024): 21-43. https://www.researchgate.net/publication/380459192_A_new_Late_Miocene_beaked_whale_Cetacea_Odontoceti_from_the_Pisco_Formation_and_a_revised_age_for_the_fossil_Ziphiidae_of_Peru

Gol'din, Pavel. "‘Antlers inside’: are the skull structures of beaked whales (Cetacea: Ziphiidae) used for echoic imaging and visual display?." Biological Journal of the Linnean Society 113.2 (2014): 510-515. https://doi.org/10.1111/bij.12337

Lambert, Olivier, Christian De Muizon, and Giovanni Bianucci. "The most basal beaked whale Ninoziphius platyrostris Muizon, 1983: clues on the evolutionary history of the family Ziphiidae (Cetacea: Odontoceti)." Zoological Journal of the Linnean Society 167.4 (2013): 569-598. https://doi.org/10.1111/zoj.12018

Lambert, Olivier, et al. "No deep diving: evidence of predation on epipelagic fish for a stem beaked whale from the Late Miocene of Peru." Proceedings of the Royal Society B: Biological Sciences 282.1815 (2015): 20151530. https://doi.org/10.1098/rspb.2015.1530

[florad0ra]

Disco trolls headcanon yapping

Prince D: "I think your map is a bit outdated" Branch: "Oh he's right look at that, it still has disco"

So, this line in Trolls: World Tour has always kinda bothered me and basically made me spiral one night watching it. How would Branch, a Pop troll who by all accounts is only learning about the other genres in the last 24 hours, know that Disco is an outdated/extinct genre? This is probably just a throwaway line to make the disco is dead joke. but............

Unless, of course, Pop trolls DO know about Disco trolls, and that they are now an extinct genre. Maybe because... For what they know, all that remains of the "disco" trolls have been living amongst them all along

Basically my headcanon boils down to Glitter trolls are Disco trolls that over time have literally been stripped of their genre.

Disco trolls would have left with the Pop trolls after the strings were divided (i like to think that unbeknownst to anyone their own String is hidden in the harp itself, which the pop trolls have, so they're compelled to follow). When the Bergens arrived at the troll tree, the Disco trolls began being picked off at a way faster rate than pop trolls (shiny shiny), establishing Bergentown's very 70s/disco aesthetic as they built their troll-eating society, while subsequently Disco trolls "losing" their own genre due to overconsumption. Eventually, while at the tree they develop the ability to have the iconic glitter farts as a defensive measure, and onwards they become known as Glitter trolls ✨

[stormbornwitch]

Connecting with the Land ~ Australia

Most of the folklore about witches and the practice of witchcraft originates from Europe.

The idea of 'witchcraft' wasn't a thing here in Australia until Europeans brought it with them. However, Indigenous Australians (as far as my research and interviews with elders have gone) follow what Western society would describe as 'animist beliefs' and 'magic rituals' were common practices.

Modern perceptions of animism, particularly in the Western World, are quite negative and viewed as "something hippies believe in." This perception is primarily caused by ingrained racist ideologies stemming from a colonial past (i.e., in order to justify subjugating people, you have to believe you're better than them) which perpetuated beliefs in colonised countries of the "primitive savage" and the "enlightened colonist." That's also not even mentioning the demonising of indigenous beliefs by missionaries of Christianity...

I find it ironic that in Eastern countries like Japan, where Christianity was not historically allowed to spread (banned in 1580s and hundreds of Christians were cruicified), animist beliefs like Shinto are now seen (in the Western world) as cool and mystical, and all the tourists want to visit the shrines of local spirits when they visit...

I'm getting off track, but hopefully you see my point: it is really hard to connect with a land on a spiritual level that is not yours, and was stolen from its traditional custodians on both a physical and spiritual level. I was born here in Australia, and so were my parents, but my ancestry is Scottish and British. I feel torn between two worlds that are so dichotomous from one another...

So, how do I connect with the spirits of the land?

Slowly, and with permission and guidance from local elders because there is a disconnect. I don't speak the language of the land and The Dreaming or 'spirit world' that accompanies our physical one. It doesn't help that much of the local language of the Gubbi Gubbi was lost due to the Stolen Generations, but there are general rules of thumb to follow when working with the Land:

We are a part of the land, and the land is a part of us. We are born from it, and so like our mother, we must care for and protect it. If you take care of the land, the land will take care of you.

Everything is about balance - never take more than you need and always give back what you can to ensure that the land is cared for for the next generation.

Ask first. Everything has a spirit, and you must ask before you take anything (I.e. like a branch from a tree). Thank the spirit for its gift / sacrifice (especially important if you have killed something).

Our ancestors watch over us our whole lives both from The Dreaming and in the physical world in the form of a totem (normally a whole family is represented by one animal). They are our guide, and your family must never hunt/eat your family's totem animal. It is your job to protect that species.

Many of the local landmasses and animals are represented by powerful ancestor spirits or creator spirits. Mooroo-kutchi (meaning red-bill, the name of the spirit of the black swan and an aboriginal girl from The Dreaming who transformed into a black swan searching for the spirit of her beloved Coolum who was killed by Ninderry.)

Smoking ceremonies are usually conducted as part of a 'Welcome to Country'. Each mob has their own traditional plant they use for cleansing the area of bad spirits and promoting healing and protection of visitors, but most use a species of eucalyptus or gum. The ceremony invites you onto the physical land as a guest and asks the ancestor spirits of that mob to watch over and protect you while you're there.

Corroboree (storytelling gathering) ~ knowledge of the land and its spirits are told through song lines and dances, and using the traditional language helps to connect better with these spirits.

Thank you to the local Aunties and Uncles for teaching me these and so much more over the years!

*'Uncle' or 'Aunty' does not mean we're related. Here, it is used as a sign of respect that recognises the age, wisdom, and knowledge of aboriginal elders. Though it's recommended that non-Aboriginal people ask the elder how they would like to be referred to as normally, it's not considered appropriate to refer to them as such unless a strong relationship has been established.

[dreamwritesimagines]

Garden of Secrets - Epilogue

A.N: Thank you so much for your wonderful feedback and support throughout the story my darlings! I hope you enjoy the epilogue as well, ILYSM! ❤️

Warnings: Regency era society and social rules, some gender specific language and terms, mentions of sex.

Thank you to @theskytraveler for helping me with the story and the chapter!

Series Masterlist

3 YEARS LATER

“And this flower right here is called a mock orange, any idea why?”

The cheerful babbling was the only answer you got and you felt yourself smiling wide, turning to look at her better. Camellia was the cutest baby you’d ever seen and you were pretty sure it wasn’t just because she was the most perfect combination of you and Benedict. The only person in your life that remembered you as a baby was Josie, and she swore up and down that she looked more like you than Benedict but you weren’t so sure.

“Very good!” you said. “Because it looks like an orange flower!”

Camellia clapped her hands excitedly, as if congratulating herself for guessing right, kicking her legs back and forth in her high chair, accidentally dropping one of the many pencils on the table in front of her but she didn’t even notice.

“And what about this one?”

“Fwo?”

“Flower, yes,” you said, nodding fervently and she gave you a huge grin. You went to pick her up from the chair and approached the table in the middle of the huge greenhouse.

 “This is your flower my sweet, see? Middlemist Red Camellia.”

She gasped when she heard her name. “Me!”

“Mm hm, the most beautiful and precious flower in the entire world!” you said, tickling her stomach while kissing her cheeks, making her happy giggles echo in the greenhouse. You fixed her hair, still smiling bright and took a look at the paper she was drawing on before, full of different colored squiggly lines.

“Perhaps your papa is right, you are to be a big artist,” you said as you walked to the glass door. “A painter like him hm?”

“Papa!”

“And your aunt Lottie says you will be a writer and your uncle Teddy says you’ll be a sculptor…” you said as you stepped out of the greenhouse into the huge garden, the sunlight falling upon you. You grabbed the little hat by the door and placed it upon Camellia’s head while she held onto you, playing with your necklace.

“So many ideas!” you told her as you passed by the winter garden, enjoying the chirping of the birds. A couple of butterflies flew by you, no doubt because you were very close to the butterfly garden and Camellia held her breath, pointing at the blue butterfly.

“Mama!”

“I can see that my love,” you said, pressing a kiss on her small chubby hand, and walked past the orangery. “They’re very beautiful, are they not?”

She nodded fervently, making grabby hand motions as if trying to call the butterflies to her.

“Anyway, as I was saying,” you said, still walking through the main garden. “They all think like that but do you want to know what I think?”

She nodded her head again, still listening to you very intently.

“I think you might just become the biggest botanist in the world,” you whispered. “I mean it only makes sense, no? You already know so many flowers!”

Camellia pointed at the pear tree and turned to you. “Mine? Mine?”

“Let’s get you one then,” you said with a small laugh, reaching up to grab and pick the pear off the branch. You dusted it off, then gave it to Camellia who made a happy cooing sound, trying to dig into it. You raised your head to look up at the house, a warmth spreading through you as your gaze fell upon the window of Benedict’s studio, then you turned to Camellia.

“Let’s go see papa, hm?” you asked her, then made your way to the house to enter the foyer. You hummed a song and climbed up the stairs, then put Camellia down when you entered the hallway leading to Benedict’s studio.

“Go ahead.”

“Papa?” Camellia called out, running as fast as her tiny legs allowed her, reminding you of a duck. She was still holding the pear tight in her fist, and you walked right behind her to make sure you would be able to catch her if she fell. “Papa!”

You let out a laugh as you heard Benedict’s footsteps and he stepped out of the studio, his jaw dropping as he saw her and he immediately leaned down to catch her before she could smash herself against his legs.

“Oh here’s my sweet!” he said as he hoisted her up into his arms, smothering her in kisses, making her giggle happily before he turned to you, that fond look crossing his eyes, a soft smile curling his lips.

“Hello my love.”

You smiled, and stood on your tiptoes to kiss him. “Hello to you too,” you said, letting out a small laugh as he stole another kiss from you. “I figured you needed a break or so.”

“And you were right,” he said, winking at you before turning to Camellia. “How is she always right, do you know?”

Camellia offered him the pear she was holding and Benedict gasped.

“For me?”

“More like it was for her but she’s willing to share,” you said and Benedict grinned.

“Come on,” he nodded in the direction of the studio and walked inside with Camellia in his arms, and you followed them.

“Don’t think I don’t know what you’re doing,” you sang in a teasing manner, pulling the hat off Camellia’s head and Benedict shot you a mischievous look.

“Mm, what am I doing?”

“You think you can turn her into an artist if she spends enough time here.”

“I can’t help if she’s naturally talented,” Benedict defended himself. “I mean have you seen her work?”

“The…the squiggly lines?”

“The squiggly lines!” Benedict nodded, rocking Camellia. “She’s a genius artist even as a one-year-old.”

“I still support my botanist theory.”

“Maybe she’ll be both?”

“As you can see my sweet, no high expectations whatsoever,” you told Camellia who was listening to both of you as if she could understand everything you were saying.

“You can be anything you want to be,” Benedict told her as she rested her head on his shoulder, yawning. “Including an artist. Just saying.”

You walked closer to the canvas to see that the background was almost done, and tilted your head.

“What’s this going to be?”

Benedict shot you a grin and pressed his lips on top of Camellia’s hair. You checked the clock on the wall, then rang the bell.

“That one is going to be her,” Benedict said, softly rocking her and you smiled.

“Aw,” you said gently, and walked to caress her soft cheek with your finger. “Did you hear that my sweet? Your own portrait?”

Camellia sucked on her thumb, her eyes closing slowly.

“Is she sleeping?” Benedict whispered and you nodded.

“She is,” you murmured, rubbing her back and turned your head when someone knocked on the door.

“Ma’am,” Paula said. “Mr. Bridgerton. Would you like me to take her for her nap?”

“That would be good Paula, thank you.”

She smiled and took Camellia from Benedict, careful not to wake her.

“I’ll be right there,” you told her and pressed a kiss on Camellia’s head before Paula walked out of the room with her. You turned to Benedict and he entwined his fingers with yours, pulling you into his arms.

“Hey,” you said as he buried his nose into your hair. “Is everything alright?”

“Mm hm, now that you’re here.”

You smiled softly and squeezed his arm. “Are you still tense about the gala?”

He heaved a sigh and you pulled back a little to look up at him.

“Ben, that painting got auctioned and sold in two minutes because everyone was outbidding each other,” you reminded him. “People are talking about you the same way you used to talk about Gordon, everyone agrees that you’re a genius artist, the whole ton—”

“Yeah but it’s different,” he mumbled. “Tonight, it’s only friends and family.”

“Shouldn’t that be comforting?”

“Technically yes but…” he trailed off and shook his head slightly. “Never mind.”

You cupped his cheek, raising your brows. “Tell me.”

“It’s easier when it’s just strangers,” he said with a small chuckle. “Museum owners and Academy directors and such. It’s different when it’s family and friends, and I’d hate it if they thought all those other people exaggerated—”

“Everyone in the Academy and countless artists and museum owners who were on the verge of a fight to get your painting, they all exaggerated?” you asked with a small smile. “All of those people at the same time?”

Benedict thought for a moment. “When you say it like that…”

You let out a laugh and stood on your tiptoes to brush your lips against his, and he heaved a sigh when you pulled back, resting his forehead against yours, his fingers caressing the sensitive skin of your neck.

“Tonight is going to be amazing,” you assured him. “I promise you.”

He shot you a mischievous grin, then leaned down hoisted you up into his arms, making you squeal.

“Benedict!”

“There’s no harm in starting the amazing night a bit early,” he said as he carried you to the sofa and you let out a laugh.

“Scandalous behavior!” you joked and he winked at you, then leaned in to kiss you.

                                                *

Of course the night of the gala went perfectly, as you knew it would. Both your family and Benedict’s had been so excited and were very proud of him, and you could see it melted away the last insecurity that had been gnawing at him before tonight.

His speech that he dedicated the painting -and his inspiration- to you was enough to bring tears into your eyes but you managed to hide it by burying your face into his arm, earning an “aww” from the crowd. After the speech, people scattered along in the gallery to talk to each other, and if you said so yourself, everyone seemed to be having fun. Benedict was talking to Gordon, Henry, Margery and Lucy by the corner, Anthony and Lottie looked like they were in their own world while Colin kept whispering things to Penelope’s ear, making her giggle. Eloise seemed to be in a deep conversation with Simon while Daphne watched them with a small smile, and you smiled at Lady Bridgerton and Lady Danbury as Teddy wheezed past you.

“Teddy don’t run!” you called out and he stopped for a moment.

“But I’m being very careful!” he assured you and returned to chasing Hyacinth and Gregory. Your aunt held up her hands, gesturing surrender as she gave him a fond look and your uncle chuckled.

“If he changes his mind about being a sculptor…”

“He can become a professional runner,” you joked and turned to Josie and Bess.

“So yes, we’re going to Paris before the season,” you told them. “Around like a month before, if I’m not mistaken.”

“Andrew will give you a list of things to bring from there, just so you know,” Bess said said and you let out a laugh.

“I’m alright with that. Wait, where is he anyway?”

Josie cleared her throat. “I think he and Felix are in the orangery—”

“The moon garden, my love,” Bess corrected her and you raised your brows, stifling a laugh.

“Of course they are,” you muttered and heard someone calling your name. You turned your head to see who it was, then made your way to Lottie and Anthony.

“Hello you two.”

“Y/N,” she said with a huge smile, still holding Anthony’s hand. “We already said goodnight to Benedict, we didn’t want to leave before saying goodnight to you.”

You tilted your head. “You’re leaving already?” you asked. “Is everything alright? Is Edmund—”

“Oh Edmund is fine!” she assured you quickly and Anthony nodded.

“He’s probably asleep already.”

“It’s just—I tire very easily nowadays,” Lottie said, making you pull your brows together. Anthony and Lottie exchanged smiles and Lottie bounced on the balls of her feet in an excited manner, making your frown deepen for a moment before the thought dawned on you and your jaw dropped.

“Are you serious?!” you whispered and Lottie giggled, nodding fervently.

“You’re the first to know,” she whispered and you let out a laugh, then pulled her into a hug.

“Congratulations!”

“Thank you!”

“To both of you obviously—” you said with a laugh, then hugged Anthony as well, making him chuckle as he hugged you back.

“We haven’t told Benedict yet,” he told you as you pulled back. “You know with the gala and everything.”

“Oh he will be very happy for you!” you said and Lottie bit on her lip.

“I wish to be the one to tell him if that’s alright.”

“Absolutely!” you said, waving your hands. “Go on then, go home and rest. I’ll see you tomorrow?”

“You’d better,” Lottie joked and squeezed your hand, then they both walked out of the gallery. You looked around, then took a step towards Eloise but someone touched the small of your back, making you look up.

“Well if it isn’t the genius artist,” you teased Benedict and he shot you a happy grin.

“Come with me?”

“As long as we’re not going to the moon garden because if I walk in on them again…” you muttered and he tilted his head.

“Hm?”

“Nothing,” you said and let him pull you out of the gallery. You both passed through the foyer and he led you outside, still holding your hand.

“Ben, where are we going?” you asked with a laugh and he stopped by the main garden, moonlight falling upon you both, showering the gardens in silver. Even though it was the thousandth time you were seeing this gorgeous view, it still managed to take your breath away.

Speaking of things that managed to take your breath away…

You looked up at Benedict, his handsome face under the moonlight, your heart skipping a beat before you giggled.

“Are we sneaking out of your own gala then?”

Benedict shot you a mischievous smile, then shook his head.

“No I merely…I wanted a moment with you,” he said. “Just you.”

You bit down on your lip as he pulled you closer, his fingers stroking over your hair. Your eyes fluttered close when he brushed his lips against yours and you smiled into the kiss, grazing your nails over the nape of his neck, making him heave a sigh.

“Congratulations Mr. Bridgerton,” you whispered. “Your gala seems to be a success.”

He smiled softly, pressing his lips on your temple. “Seems to be, Mrs. Bridgerton.”

You hummed. “Is it too early to say I told you so?”

He chuckled. “I don’t think so.”

“Well then, I told you so,” you said, sticking your nose up in the air. “And you should listen to me all the time because to be honest, so far I’ve—”

“I love you,” he said, and your eyes snapped up to his, a smile warming your face. You let out a giggle and pulled him down so that you could kiss him.

“I love you too,” you whispered and entwined your fingers with his, then took a step towards the house.

“Come on,” you said. “It is your gala my love. Let’s go and enjoy it.”

The End.

[cipheramnesia]

We can't reduce our way into an absolute social truth just because we have got a corner of the framework. Society as it stands in the present day contains an incalculable number of overlapping cultures with long and complex histories. These meet and combine and branch and twine and cannot be, for the most part, ripped away from one another through the simple declaration that one specific and contextual experience always contains one specific meaning.

And even more suspect is a declaration that another, opposite experience, although equally specific and contextual, will always contain an opposite meaning - and in particular that these meanings include an implicit binary morality where one experience is beneficial (but contextualized as Good and morally righteous), while the other is malicious (Bad and morally corrupt). For the most part, every element of society contains a mixture of ideas which are all intended to be beneficial but which in practice are both beneficial and malicious and morally neutral. There are certain exceptions, usually tied to attempts at the creation of a uniquely "pure" branch of society, demanding all other branches are pruned. These attempts to extract a unique and absolute social purity are what we commonly find in societies which ultimately attempt to remove all impurities through a variety of acts such as genocide, ethnic cleansing, eugenics, and so on, which is as near as we can come to genuine evil, although as always it ends up with its own social complexities. The way genocide becomes part of a social system is another essay. And the danger of seeking social purity does not preclude the examination of some of the particular strands and social branches and weaves of society, either. In fact, an awareness of the potential hazards in social purity can help to reduce the extent of bias over the relative importance of these varying social components. Sometimes they may be expressed in a simplified manner, so long as we are mindful that the simplification of the workings of specific parts of society do not become their singular attributes, lest a considered examination inadvertently become a demand for social purity. Being mindful to avoid social purity ultimately has a role in ensuring a greater range of disenfranchised groups can work in conjunction rather than in opposition.

This also can be used in something like the reverse direction. Reflecting on an absolute statement can lead an individual back to the context and in this way reduce the desire to be immediately oppositional over the many, many conflicting social conditions of many overlapping disenfranchised groups. These two strategies of engagement between groups - to avoid the language of purity, and also to avoid reactive opposition - should offer a valuable tool towards more unified opposition to systemic oppression.

So for example the statement that all forms of "subculture x" are morally negative for "group a" and morally positive for "group b," is a loaded statement of social purity. Reactive statements often will include something like the first statement being wrong (technically and morally) about groups a and/or b and/or culture x, and go on to explain in detail all the ways this is wrong. This can ultimately become its own socially pure position, leading to an irreconcilable opposition.

However, if one or both groups is willing to dig into the context of the socially pure idea, ideally befofe the positions become entrenched, and without ascribing wrongdoing to members of the equally disenfranchised but conflicted groups, then it can become possible to relatively quickly unpack the deeper contexts where both groups find a commonality of experience vis a vis systemic oppression and shared history.

These kinds of schisms along ideological purity lines are common, and in many cases are barely more substantive than a minor variation in language or misinterpreted word or simple lack of experience. Only the most deeply entrenched conflicts between disenfranchised groups will need such a severe amount of negotiation and contextualization. Now more than ever, being able to efficiently resolve internal conflicts has an important role in our shared survival.

[anli-rambles]

No bc the 18th century assassins were actual shit and I'm not just talking about the Colonial branch, like-

The British brotherhood let a Templar GRANDMASTER run off with the son of one of their master assassins after his death and never did anything to save him. Years later that boy grows up to be a Templar, climbs up the ranks of the Order at lightning speed, and kills one of their assassin masters after stealing his hidden blade. And how do they respond to that ? They send one of their novices after him on a ship to Boston to kill him. Alone. And that novice, instead of going the assassin way and stab Haytham in the back or something, tries to defend him from getting killed by some other guys on deck before engaging him in a fucking sword fight during which he gives Haytham, A MASTER SWORDSMAN, HIS OWN GODDAMN SWORD, LIKE WHAT IN THE-

Then you have the disaster that was the Colonial Brotherhood. Achilles, the last student of Ah Tabai, goes on to do the one thing Ah Tabai spent the entirety of Black Flag warning Edward against (tampering with Isu sites) and becomes mentor to absolute psychopaths. They were working with gangs who were harassing civilians for protection money and developing chemical weapons that they planned on unleashing on entire cities, not to mention that they caused two earthquakes that killed hundreds of thousands and were going to do it a third time (and probably would never have stopped) had Shay and Haytham not intervened. Also, instead of talking shit out with an obviously traumatised Shay, they demonised him, shot him off a cliff, and left him for dead without even checking if he'd died or not - they were so bad that they made Shay, the most un-Templaresque person ever, defect to the Templars, which inevitably led to their downfall and you can't even blame the Templars for massacring all of them bc they were an absolute menace to society. Plus they were allied with the Fr*nch and it should be common knowledge that this is the worst crime one could ever commit

AND SPEAKING OF THE FRENCH ! Those bitches were also completely brain dead !! Like, they knew what happened to Haytham and how the man turned out, but they still let the Templar Grandmaster adopt Arno, the son of one of their master assassins, just like the British had done with Edward. Like, they should have known it could end in an absolute disaster. And they banished Arno, probably their most promising recruit since Charles Dorian's death, for doing his fucking job as an assassin just because he broke some rules, which is so dumb coming from people whose motto contains the lines "everything is permitted", I just- ☠️

Ratohnhaké:ton was legit the only 18th century assassin with a functioning brain cell istg

[thesweetnessofspring]

This year, I've been working on an Everlark fanfiction project called The Huntress and the Beast. This is an in-Panem AU where Prim was never reaped and Peeta became the sole victor of the 74th Games, earning the nickname "the Beast." Ostracized by society after a horrifying incident at the end of the war solidified his nickname, Peeta retreats to live on the mountainside alone. Years later, Katniss takes a position to live with Peeta and eat dinner with him each night for one year, partly to make up for the bread that saved her family and partly to escape Gale's marriage proposal. Each chapter is one month of this year, as Everlark grow together and build a home.

Or, an Everlark "Beauty and the Beast" retelling.

Leading up to the release of the first chapter, I'm going to be posting a snippet each Wednesday, one for each month of the year. Today is the first, from Chapter One: The New Year which will be out January 1, 2025.

Read the snippet below:

New trees line the walkway, still held up by stakes and twine. I can’t make out what they’re going to be when they get older with only the skinny trunks and branches balancing lines of snow. Up the pathway lies the cabin. It’s a far cry from the luxury of the Victors Village even just from the outside. There’s a porch facing west toward District 12 and a blue door the color of a starling egg against the pine boards. It’s covered in fresh snow, though as we climb higher I can see tracks leading away from it. Tracks that must belong to my new employer. At the porch, we unstrap the snowshoes and then knock on the blue door. No one answers and I think about the tracks leading away from the cabin. Peeta had no way to know we’d be showing up today. “Thom?” a man’s voice says behind us. I startle but compose myself before turning around and facing the Beast. While Peeta had never been anything remarkable in terms of his height when we were in school together, he clearly grew since then. He must be nearly a foot taller than me now and still strong and stocky. His hair has grown down to his shoulders, waves framing what has changed the most—his face. Where other men had beards and five o’clock shadows, Peeta has pink and red scars, twisting like branches of a tree across his neck, jaw, and cheeks. I try not to stare at the scars and meet his blue eyes instead. “I found you a dinner companion,” Thom says proudly. “Do you know Katniss Everdeen?” “Not well,” Peeta says and a deep feeling of shame floods me. I don’t know why. Maybe because I should have thanked him for the bread long ago, before his Games. That we should know each other better, but the fact we don’t is my fault. 

Look out for The Huntress and the Beast on January 1, 2025.

[vezpr]

corporal: ch 2 - expectations

SUKUNAxF!READER ☽☾ HEIAN ERA AU ☽☾ ONGOING SERIES ☽☾ AO3

☽☾𝐜𝐡𝐚𝐩𝐭𝐞𝐫𝐬:CH1: PUNISHMENT ▪︎ CH2: EXPECTATIONS ▪︎ CH3: DENIAL

☽☾ 𝐬𝐲𝐧𝐨𝐩𝐬𝐢𝐬: You are such a menace that your father decides to offer your eternal servitude as a gift to the King of Curses.

Sukuna has not accepted such a tribute in years, more often opting to eat the young girls rather than put them to work, which is perfectly acceptable as far as your asshole dad is concerned.

Will the demon make an exception for you?

☽☾ 𝐰𝐚𝐫𝐧𝐢𝐧𝐠𝐬/𝐭𝐚𝐠𝐬: 18+MINORS DNI, blood and gore, violence, abuse, true form sukuna, eventual smut (still not yet), references to cannibalism, angst, I suck at tags

☽☾ 𝐭𝐚𝐠 𝐥𝐢𝐬𝐭: @sodapop182 ; @moonchhu

☽☾ 𝐰𝐨𝐫𝐝 𝐜𝐨𝐮𝐧𝐭: CH: 3.5k TOTAL: 7.7k

If you would like to be added to the taglist, please comment something to that effect. But please put an age in your bio so i don't have to block you. lmk if I'm doing this right, I'm an absolute virgin and open to suggestions. Thanks for reading. 🖤

Tearing through the woods outside of the shrine, you don't think about your sister, this time. You don't think of your father or his men, your mother, nothing. No memories, pleasant or unpleasant, swim up through the ink of night as the trees claw at your clothes and skin. Your mind is eclipsed with a fear as hot and red as the fire in your lungs.

You have not known fear like this for a long time, perhaps ever. All the running that you did from your father and his men was done more out of spite than fear. You had certain expectations of them. You were familiar with their cruelty and the limitations placed on it by society, or by your mother, perhaps. You father was not a kind man, by any means, but his eyes softened somewhat when they looked at her. The only power that you had was that of being able to put them through their paces. Here, you did not even have that. The comfort of expectations does not exist for the monster at your back, no more than the limitations of ordinary men. 

So, you run, spurred by terror long after your rapidly depleting stamina should have forced you to stop. It feels like hours have passed when you finally come to a halt, hands on your knees, panting, muscles burning. Hyperaware of every sound, every sensation, even the trickle of sweat down the line of your back is enough to raise your hackles, but there is nothing but the ragged sound of your own breathing in the stillness.

As you try to slow your respirations, you ask yourself what it is you're so afraid of. Pain? You are overly familiar with pain. Your heart gradually slows as you come to the conclusion that Sukuna can only hurt you or kill you, just like any other man. Pain you can endure. And death? Well, if you are dead, then you won't be bothered, will you? You'll just be dead. What would wound you more is humiliation. Your mouth presses into a grim line as you ponder it.

Did the bastard confiscate your things and let you go, trusting that you would meet your own end in the forest without his help? Not the worst plan, you decide, as it occurs to you, for the first time, that you really have no place to go, no plan beyond running. Beyond escape. You've never had to plan beyond that because you've always been outnumbered, overpowered and dragged back.

Does he think you will return on your own? You scoff into the darkness at the thought. I'd sooner hang myself from one of these trees, you think to yourself as you look up at the branches, silver in the Autumn starlight. Still. Quiet. Unnaturally so, as if the earth itself is holding it's breath. Hiding. 

Even before you hear it, you feel it, looming large and lethal at your back. Larger than Sukuna, even. Much larger. It shifts it's enormous weight, rustling the leaf litter. As you peer over your shoulder, your eyes widen and your heart hammers against your ribs like you never stopped running. A reptilian chittering sound blooms out of the dark: a bony whisper, a rattlesnake kind of warning. The moon outlines it's dark shape in indigo, a moving mountain that tears trees right out of the earth as it moves after you. How you didn't see or hear it before is a mystery. 

Your feet slam against the shuddering ground with the slowness of nightmares as a scream claws it's way out of your throat. You don't make it very far before a root hooks your foot and sends you sprawling. A sickening snap followed by bright sparks of pain shoot up from your wrist as you catch your fall with your hand. When you look down to see splinters of bone jutting out of a ragged wound, a hysterical sob escapes your mouth. You clutch your injured limb against your chest as your heels churn at the dirt, propelling you backwards, too slow as the monster stops short in front of you. 

It is too awful to look at, a twisted amalgamation of drooling faces and colorless eyes shining with idiot hunger as it prepares to stuff you into its many jagged mouths. You dig your chin into your shoulder, squeezing your eyes shut and baring your teeth as you feel it's hot, putrid breath against your skin. Thick, black saliva drips into the dirt between your feet and burns it like acid, white tendrils of smoke rising from the bubbling pool.

The chittering sound rises again, like a demonic chorus of cicadas. Distantly, you realize the effect is created by all of those throats babbling at once. You find yourself too breathless to scream as it's clumsy teeth try to find purchase in the flesh of your calf, only succeeding in lightly scratching and slobbering all over it. Perhaps in frustration, its crying slowly rises in pitch, high and keening.

Then, there is another, quieter sound, that cuts the wailing short. It is soft like a whip cutting through the air before it cracks, like the hiss of lightning parting the sky before the thunder of it crashing back together. Crashing like the quivering weight that descends upon your lower body as the monster inexplicably falls to pieces at your feet. You blink owlishly at the dismantled pile of flesh, hardly daring to believe that it is truly dead, even as its quivering breaths grow still.

Your legs throb under the lifeless weight of it. It is impossible to drag yourself out from under it with your one good arm, so you resort to wiggling on your back in the dirt, removing yourself inch by excruciating inch. You haven't yet had the time, nor the prescence of mind to worry about what lurking horror might have so effortlessly ended the dead thing that pins you to the dirt. That mystery is soon solved for you when a familiar voice comes out of the dark behind you.

"Tch. Pathetic."

You cease your struggles and crane your neck back, pressing the back of your head into the dirt to meet Sukuna's garnet gaze. He leans against a tree, as if he can't be bothered to hold himself up, looking only vaguely interested in the scene before him. 

"Me, pathetic?" You spit, redoubling your efforts to writhe out from under the dead thing. "Was I not easy enough to kill? You had to sic your pet on me?" The thought had only now occurred to you, that Sukuna had unleashed this thing on you, but the notion already has your blood boiling with rage.

Sukuna snorts, "Not mine." His eyes leave you in favor of examining the corpse. "Hm. A grade two, this one," he mutters.

Your eyes follow his and you notice a jagged, black fang, about the length of your outstretched hand, lying in the dirt by your hip.  Glancing back to ensure his eyes are still focused on the monster, you stretch out your good arm and wrap your fingers around it. The edges bite into your fingers, but you clutch it like a lifeline, headless of the pain. 

"Well, do you intend to finish the job, or are you just going to stand there, blabbering nonsense?" You sneer, craning your neck to look up at him. 

His eyes snap back to yours and he smirks, lazily peeling himself away from the tree and stepping towards you. "So eager to die, arent you?"

He lifts the bulk of dead flesh away from you with one hand as he hooks another into the pit of your injured arm and drags you to your feet.

Gritting your teeth, you swing your good arm, arcing your makeshift weapon to catch him in the back, but he snatches your wrist away with yet another arm. Now, you are leaning awkwardly against his chest as he supports most of your weight. You legs are not as useful as you might have hoped. They burn painfully and buckle at the knees as the blood rushes back to your cramping muscles. 

He eyes the monster's tooth in your hand with mild interest. "You want to hurt me with that?" He asks with a mean grin. "Go ahead."

With that he lets go of you and takes a step back.  You cry out in frustration as your traitorous legs buckle underneath you and you land on your knees at his feet. He throws his head back and laughs as you snarl up at him and swing your makeshift weapon at his legs, which dodge your clumsy blows effortlessly. 

"For weeks you lived in peace with me and now all these theatrics, for what reason?" He muses as he steps this way and that to avoid your rageful attacks. It doesn't take long for him to grow bored of this game, and you are taken aback when he sinks to his knees in front of you. Even so, he towers over you so that you have to hyperextend your neck to see his face. His lower set of hands snatch you up around the waist while the upper pain pin your arms to your sides. You grunt at the pain in your broken wrist, but he takes no notice.

"I asked you a question," he snarls, holding you at eye level. 

He huffs when you only writhe in his grip and scream in his face until your throat is raw and you are too breathless to continue.

"Fucking feral little rat," he mutters. "Is it because I touched your leg?" He asks, eyes dragging the length of your body. 

You scoff. Of course it wasn't just that it's...

"Are you throwing a tantrum because I didn't ask permission? Hm? And what was the plan? Where will you go?" He cuts off your thoughts by echoing your own thinking from earlier. It has you subconsciously biting into your cheek hard enough to draw blood. Infuriating.

He smirks. "Just a spoiled little princess playing at running away. Well. Time to grow up, little girl, and realize that you will always belong to a man. Before, you belonged to your bitch of a father, and now, you belong to me."

No longer able to hold in your rage you shreik and slam your head forward in an attempt to split his smirking lips. Of course, he leans away and you only succeed in tossing your hair, drawing another cackle from his mouth. 

"You want to hurt me? Try, brat," he bellows to be heard over your shreiking as he presses his forehead against yours hard enough to bruise. The moment he releases your good arm you sink the oversized canine into his temple and drag it down, flaying his cheek. A second swing and his larger, upper eye is reduced to a wobbling jelly running into the bleeding wound. Slick with gore, the tooth drops from your hand and Sukuna slams you down on your back with enough force to steal the air out of your lungs. 

Then he is folded over you, hand on your jaw tilting your gaze to his wounded face. "Look at me," he instructs and your stomach lurches as the flesh bubbles and warps. Then it is takes its old, unmarred shape, as new and smooth as ever. You stare at it, blinking as if that brief interruption of sight might return it to ruin, as it was seconds ago. As if to dispel your disbelief another of his hands grasp your broken wrist, lifting your hand so that your fingertips brush his new skin. At the same instant, your injured joint transforms the same way his wounds had until it is new and free of pain.

Speechless you stare at your hand on his cheek until you realize that he is no longer holding it there. He leans in until his lips are nearly brushing your ear. "I can touch you however I like, whenever I like," he says, slipping a hand from your waist to trace the angle of your hip bone and the curve of your outer thigh through your ruined kimono. "I can break you and mend you, break you and mend you and never, ever let you die." His hand slips from your jaw to your throat where he squeezes briefly before, suddenly, he hauls himself off of you.

"So, brat," he says, standing over you haloed in the pink light of dawn, "if you are ever so lucky as to have me touch you again, try not to overreact."

All you seem to be able to do is slide your eyes stupidly from your healed wrist to his unblemished face until all the breath decides to leave your lungs at once. The sky, blushing with dawn and tattooed with skeletal branches, fades to black.

...

Emika, grinning, face tilted toward the dappled sunlight, laughter bubbling out of her throat. It is a musical sound until it changes, distorts into a horrible chittering, vacous and reptilian. Her mouth opens, impossibly wide, a poisonous womb that delivers a wailing many-faced blackness that swallows the world. Closer, the newborn horror leans in until all you can see is a single wet, red maw screaming its hunger and eager to feed on you. It is made of hunger and fear. Its tongue lolls out and begins to twist and warp. It pales and changes shape, grows four garnet eyes, a tattooed jaw, a laughing mouth. Sukuna's face leaning close to yours. "Look at me," he says, surrounding you, a universe that leaves you no choice. He is still laughing when he tilts away, falling out of orbit as gravity pulls your back into the dirt. He is replaced by a robin's egg sky seen in patches through the green leaves of spring.

Emika's face glides into view, a smiling autumn moon in the Spring sky.

Her bamboo sword taps your neck.

"Dead," she says.

Dead like the warrior she once daydreamed of being, with a katana on her back and a pretty servant girl at her side.

"Dead." She smiles, haloed in sunlight.

Your eyes blink open. Even as the nightmare fades you realize it holds too many parallels to waking life for comfort. Finding yourself suspended above the ground in an unfamiliar position, your body jerks, your legs inadvertently tightening around Sukuna's waist. He is carrying you like a child on his hip, his lower arm hooked under your backside while his upper one supports your back. Your chin rests over his shoulder, your cheek pressed into his neck. Finding this abhorrent, you squirm weakly.

"I can walk now," you mutter, but you are so tired. Your eyelids, leaden. 

"Walking has caused you enough trouble, wouldn't you say?" He chuckles, a sound that is becoming increasingly annoying. 

In any case, the dead weight of your body against his is enough to refute your claim. 

Your eyes flutter closed, head lolling against his neck. He smells of smoke, blood and earth and he is warm against you. The effect is like a sleeping tincture.

"I want to know," you mutter against his skin as you struggle against your rapidly retreating consciousness. "I want to know what is expected of me."

You are too exhausted to think of your statement as an acquiesence, but that is what it is. Sukuna is taking you back to the shrine and you are accepting it. Perhaps that is why he laughs. Your eyes pop open at the hateful sound and you hope that he does not discern the increasing tempo of your heart with the way that your chest is pressed into him. Wouldn't want to give him the satisfaction.

"Expectations," he says. "You can't live without them, hm? How, then, would you rebel?"

You clench your teeth. He is unbearable. You hate him. God, you hate him. But you are just so tired right now.

"I have no expectations of you, rat." He continues after a pause, although he thinks to himself that you are really more of a mouse, at the moment, as you go limp again with sleep.

...

When you wake again, from a long sleep that is blessedly dreamless, there is nothing to greet you but silence and the shrinking light of early evening. You lie for a moment on the futon, staring at the dark grid of ceiling in your chambers.

Under the thinning haze of sleep that still clouds your mind, a flickering flame of rage persists. When you look down at yourself, filthy with mud, blood, and mystery secretions from whatever that thing in the forest was, it grows brighter. Cast off and forgotten like a broken doll. You flex your healed wrist. Why does it make you even angrier?

I have no expectations 

You tear off your kimono and toss it aside, fuming.

Rat.

You tear the linens, ruined by your dirtiness, off of your futon and thrust them away to join your clothing on the floor.

"Maybe I will go around naked, then," you fume, stomping towards the door, but you stop there, losing your nerve. "Bet you wouldn't expect that. Bet you would find that you have some expectations after all."

spoiled little princess

"Maybe I will go around like this is my home and you are an unwanted guest," you hiss into the silence.

time to grow up and realize you will always belong to a man

You retrieve your dirty kimono and shrug into it, gathering the fabric loosely around your chest with one hand while you rip something clean out of the wardrobe with the other. The shoji door slams against the doorframe as you storm out of the room not bothering to close it. 

now you belong to me

Uraume and Baba look up from their work, picking vegetables for dinner in the courtyard as you tear across it without sparing them a glance. You make quite a sight, blood-streaked and furious. 

"He'll be getting his kicks with that one for quite some time, I'll say... yes," Baba croaks as her milky eyes track your movements.

"Baba!" Uraume scolds.

"It's the truth," Baba crows. "It is!"

...

The steaming water of the hot spring soothes the aching muscles of your legs. This makes encroaching on his territory doubly satisfying, even if he, being a morning bather, in your limited experience - doesn't find out. You close your eyes and hold your breath, sinking to the bottom on your knees. Your fingers rake through the matted mess of your hair, breaking loose the dirt and dried blood. You stay under until your lungs burn and then burst to the surface with a sharp inhalation. 

"What the fuck do you think you are doing?"

You startle at the sound of Sukuna's voice booming over the soft gurgling of the water. He is standing at the opposite end of the spring, kimono pooled around his feet, hands frozen at his waist in the middle of loosening his hakama. 

"Whatever I want, since you have no expectations," you retort, having recovered quickly from your surprise.

He snorts. "Alright."

You glare at each other through the rising steam.

You are the first to avert your eyes when Sukuna resumes undressing, unceremoniously dropping his hakama. 

Your back is turned and you make a point of staying submerged to the shoulders as you make your way to the edge of the pool. You movements increase in urgency, heart thumping faster as you hear him splash into the water behind you. Unwilling to let him see your bare skin, you pull your clean kimono into the water and put it on while still submerged. 

When you drag yourself over the lip of the pool in your dripping robes, he is laughing. Your skin erupts in goose flesh that cannot be entirely attributed to your soaked clothes and the chill in the air. Although it pisses you off to no end, you try to at least appear unperturbed. Chin held high, you make it a point not to look at him as you march back toward the shrine, as if he is beneath your notice. You hope he feels it.

"Come here, rat." 

You pause, your back still turned to him.

"I said, come here." He repeats.

Vacillating between the desire to defy him and the desire to seem unafraid, you settle on the latter and make your way back to the water's edge. There is a deliberate slowness in your movements, to show that you are in no hurry to obey him.

Sitting on the lip of the pool, you let your calves dangle over the edge, lazily treading water. 

"What do you want?" you hiss, meeting his crimson gaze.

[mprgz]

(Pictland (Northeast Great Britain) , Aberdeenshire) Located to the East of the Scottish Highlands, Pictland preserves the pre-Celtic Pictish language. Pictish is its own branch of Indo-European. Pictland is legally part of Scotland, not unlike Wales or Cornwall's relationship to England, having been conquered in the 15th century. However, unlike the conquest of Wales, it was a union of the crown, with the Pictish lords having autonomy equal or greater to the Highland lords. The Picts largely sided with the Hanoverians during the Jacobite uprisings due to their rivalries with the Gaelic-speaking clans in the Highlands. This allowed their culture to avoid the reprisals suffered in the Highlands. Despite being an Indo-European people, the Picts retain some male child carrying practices. For example, their noble titles descend by the birthing line, but to men, by a system known as tanistry. So, if only the wife gives birth, the title will pass to the eldest son of the eldest sister of the holder of the title. However, outside of the nobility and gentry, the wife historically carried the baby, although male child carrying is now more common among all segments of society. This may be counter-intuitive according the traditional narrative that Neolithic populations practiced male child carrying, while the Indo-Europeans, disproportionally represented among the nobility, practiced female child carrying. The practice may have been retained to ensure known paternity of the aristocracy. However, the lack of historical records makes such questions a matter of speculation. (Grok wasn't cooperative today. This is more lore dumping than image dumping, to have a "non-exotic" male child carrying fantasy culture.)